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I bet they nearly dropped dead when the Moog Synthesizer revealed it’s self within the jazz rock and funk music scene down the line.Why did I choose In a Silent way over Bitches Brew for my first of three listed here Bitches Brew is just too avant garde and experimental in nature on a whole, and In a Silent way is sort of the Yin to Bitches Brew’s Yang if you will.Maybe the pair of tracks are the good Kirk vs Evil Kirk of albums, both albums are indispensable and real game changers, but In a Silent Way was first and the breaking point, a complete disassociation from jazz.Miles still sounds bluesy and jazzy with his solo statements however, I suppose that’s why this music is called jazz rock. I don’t feel comfortable calling it either one, I just call it great music.On the CornerOn the Corner was the album where the jazz established not only broke their legs jumping off the band wagon, they drove it of a cliff.The critics hated this album, and rock critics weren’t real sure what to make of it either.The old expression “Time heals all wounds” perfectly describes On the Corner, an album that 40 years later makes perfect sense compared to its “a profit always goes unloved in his own country” relevance in 1972.Today On the Corner truly is a Rosetta Stone of sorts, think about drum n’ bass the genre, as well as dub, trance, and world beat All of these genres were either influenced, or dare I say, created by On the Corner.Droning, churning, and swirling rhythms that seem to go no where permeate the music. This was the big complaint at the time with critics, and that complaint, is actually it’s strength in my mind, and the reason it has been so influential to the generations of beat doctors to come.On the corner also has a street wise vibe, very organic in nature, much like the album cover.